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William Hurt, whose laconic charisma and cultivated himself as an actor, died in one of the 1980s’ top films in films such as “Broadcast News,” “Body Heat” and “The Big Chill, ”he died. He was 71 years of age.
Hurt’s son, Will, said in a statement that Hurt died Sunday of natural causes. Hurt died peacefully, among the family, said his son. The Hollywood Reporter said he died at his home in Portland, Oregon. Deadline first reported Hurt’s death. Hurt was first diagnosed with advanced prostate disease in 2018.
In a long career, Hurt was nominated for an Academy Award, winner of “Kiss of the Spider Woman” in 1985. After her success in 1980 Paddy Chayefsky-scripted “Altered States” in as a psychopathologist studying schizophrenia and experimenting with heart failure, Hurt quickly emerged as a major figure in the ’80s.
In Lawrence Kasdan’s 1981 steamy neo noir “Body Heat,” Hurt starred as Kathleen Turner as a lawyer charged with murder. In 1983’s “The Big Chill,” new with Kasdan, Hurt played Vietnam War veteran Nick Carlton, one of a group of college friends who were gathering for their friend’s funeral.
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Hurt, whose father worked for the State Department, was born in Washington, DC, and traveled extensively as a child while attending boarding school in Massachusetts. His parents divorced when he was young. At the age of 10, Hurt’s mother married Henry Luce III, the son of the founder of Time magazine. Hurt learned the trade at Julliard and first graduated from the New York campus with the Circle Repertory Company. After “The Big Chill,” he returned to the stage to star on Broadway in David Rabe’s “Hurlyburly,” and was nominated for Tony.
Soon after, came “Kiss of the Spider Woman,” in which Hurt won the Best Actress Oscar for his work as a married prisoner in a South American dictatorship.
“I’m very proud to be an actor,” Hurt said, accepting the gift.
In 1986, “Children of a Lesser God,” starred her co-star, Marlee Matlin, who took home an Oscar for her work as a nurse at a school for the deaf. Hurt plays a keynote speaker. For Hurt and Matlin, their love affair is unknown, but this is not Hurt’s first acquaintance with his personal life.
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Hurt was first married to actress Mary Beth Hurt from 1971 to 1982. Although he was married, he began a relationship with Sandra Jennings, whose pregnancy and their child began to divorce. Hurt from Mary Beth Hurt. A high court case was filed six years later in which Jennings said she was Hurt’s usual wife under South Carolina law and therefore received a portion of her income. A court in New York ruled in Hurt’s favor, but the actor maintained a difficult relationship with the celebrity.
“The work is very intimate and personal,” Hurt told the New York Times in 1983. “The art of craft is as much solitary as the art of writing. Craft, technique There is this other thing that I think I am doing this is the voice to look at my man, as if I want so much love or so much attention that I leave my responsibility to be a private person. “
In his 2009 memoir, Matlin specifically mentioned the physical and emotional abuse in their relationship. At the time of his shooting, Hurt issued an apology saying: “My personal memory is that we were forgiven and that both of them worked hard to save our lives.”
During those years, Hurt struggled with drug and alcohol abuse and went to nursing homes. He developed a reputation for not being easy to do. The New Yorker called him “notoriously temperamental.” In 1989, Hurt married Heidi Henderson, whom he had met in rehab. They had two children. Hurt was also a daughter of French actress and filmmaker Sandrine Bonnaire, whom she met while working on the 1992 Albert Camus directorial video adaptation “The Plague.”
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Among Hurt’s greatest accomplishments was James L. Brooks ’1987 comedy“ Broadcast News, ”as a simple but easy -going anchor that symbolized the combination of fun and journalism.
Albert Brooks, Hurt’s “Broadcast News” co-star, was among those who responded to Hurt’s death on Sunday. “Very sad to hear this news,” Brooks wrote on Twitter. “It was amazing to work with him on Broadcast News. He will be greatly forgotten.”
After his torrid run in the ’80s, Hurt fell in love with filmmakers in the’ 90s, and some thought it was because of his popularity. Hurt continued to resist his approach, telling The Los Angeles Times in 1994 “I give a lot of attention to correcting the truth rather than pandering to hopes and expectations. simple expectations. “
“If a director told me to make people think or feel something, I immediately rebelled,” Hurt said. “I’m not there to make anyone think or think anything specific. I agree with something that the whole district has to say. Leadership.”
Hurt, however, was not slow, collecting credits in the 90s and 00s – “Alice” by Woody Allen, “Smoke” by Wayne Wong, “Michael” and Nora Ephron, the ” Jane Eyre “and Franco Zeffirelli.
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Hurt, a always -wise defender, is slightly transformed into an actor. He received his fourth Oscar nomination for his small but powerful performance in David Cronenberg’s 2005 thriller “A History of Violence.”
Hurt continued to perform regularly over the years until his death: 10 episodes of “Disasters”; a string of Marvel movies, including “Avengers: Endgame” and “Black Widow,” starring Thaddeus Ross; 14 pieces on Amazon’s “Goliath.”
Too often, Hurt felt that his career in the ’80s was the best thing that described him as an actor.
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“The industry is separating,” he told the Telegraph in 2004. “Of course Oscar is separating. In some ways, it’s against what I thought. I don’t want to be separated. I’m not. want something big the goal is on my chest saying: ‘He’s an Oscar-winner, that’s what he’s going to be.’ I wanted to be an actor, so I was confused about it.